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terça-feira, 21 de julho de 2026
segunda-feira, 20 de julho de 2026
quinta-feira, 9 de julho de 2026
Constructing ii, iii, and vi chords Acordes 2, 3 e 6
Constructing ii, iii, and vi chords
These chords are built from the 2nd, 3rd and 6th notes of a scale and are all minor chords. Note that these chords come from the same key as the I, IV and V chords. Let's take the key of D for example: D = IEm = ii
F#m = iii
G = IV
A = V
Bm = vi Note that the chords built on the 2nd, 3rd and 6th notes of the key of D are Em - F#m and Bm. Therefor the ii - iii - vi chord pattern for the key of D is:
Em (note ii) = E - G - B (1st + 3rd + 5th notes of the Em scale)
F#m (note iii) = F# - A - C# (1st + 3rd + 5th notes of the F#m scale)
Bm (note vi) = B - D - F# (1st + 3rd + 5th notes of the Bm scale) Memorize all the minor chords for every key. If you combine these chords with the major chords that form the I - IV - V pattern your melodies will become fuller and less predictable. As always I made a table so you can easily see the ii, iii and vi chords in every key. Clicking on the chord name will bring you to an illustration which will show you how to play each chord on a keyboard.
The ii, iii and vi Chords
| Major Key - Chord Pattern | |
| Key of C | Dm - Em - Am |
| Key of D | Em - F#m - Bm |
| Key of E | F#m - G#m - C#m |
| Key of F | Gm - Am - Dm |
| Key of G | Am - Bm - Em |
| Key of A | Bm - C#m - F#m |
| Key of B | C#m - D#m - G#m |
| Key of Db | Ebm - Fm - Bbm |
| Key of Eb | Fm - Gm - Cm |
| Key of Gb | Abm - Bbm - Ebm |
| Key of Ab | Bbm - Cm - Fm |
| Key of Bb | Cm - Dm - Gm |
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quarta-feira, 8 de julho de 2026
Escalas maiores
- C major scale Key signature : no sharp or flat C - D - E - F - G - A - B - C
- G major scale Key signature : 1 sharp G - A - B - C - D - E - F# - G
- D major scale Key signature : 2 sharps (Down - Up - Top) D - E - F# - G - A - B - C# - D
- A major scale Key signature : 3 sharps A - B - C# - D - E - F# - G# - A
- E major scale Key signature : 4 sharps E - F# - G# - A - B - C# - D# - E
- B major scale Key signature : 5 sharps (Down - Up - Top) B - C# - D# - E - F# - G# - A# - B
- F# and Gb major scales Key signature : 6 sharps , 6 flats F# - G# - A# - B - C# - D# - E# (=F) - F#
Gb - Ab - Bb - Cb (=B) - Db - Eb - F - Gb
Ab7sus4
C# - D# - E# (=F) - F# - G# - A# - B# (=C) - C#
Ab13 (b5/b9)
(Ab)-(C)-D- Gb-A-(Db)- F N/A N/A 55456x (A Bass)
segunda-feira, 6 de julho de 2026
Jazz Etapas para ser um musico de Jazz
http://www.jazclass.aust.com/im1.htm
http://www.jazclass.aust.com/digits/pals/1digipal.htm
http://www.jazclass.aust.com/rotate/dg05.htm
http://www.jazclass.aust.com/rotate/wsjo.htm#dl
http://www.jazclass.aust.com/profiles/gnossienne/gno1.htm
http://www.jazzguitar.be/exotic_guitar_scales.html
Modern Jazz Improvisation: Curriculum 1. Using Ionian & Lydian Arpeggios to Generate Dorian & Aeolian Sounds
2. Using Ionian & Lydian Arpeggios To Generate Phrygian & Locrian Sounds
3. Mixing the Minor Modes
4. Application of Minor Modes in ii-V-I Progressions
5. Melodic Minor Scale
6. Harmonic Minor Scale
7. Major Arpeggios over Dominant Chords
8. V to I Resolutions
9. Melodic Minor Substitutions Over Altered Dominant Chords
10. Melodic Minor Over Altered Dominant 7th Chords
11. Reharmonizations with Implied V7
12. Melodic Minor over Diminished
13. Diminished Moving Down Chromatically
14. Melodic Minor over Whole Tone Scale
15. Melodic Minor Over Half Diminished
16. Relative Melodic Minor Over Major
17. Putting it Together Over a Minor Blues
18. Harmonic Minor Scale Over Dominant Part I
19. Harmonic Minor Scale Over Dominant Part II
20. Harmonic Minor Over Dominant Reharmonizations
21. Melodic Minor Over Substitutions for vi-ii-V-I
22. Harmonic Minor Over Diminished
23. Diminished Chords as Altered Dominant Voicings
24. Harmonic Minor Over Major
25. Melodic & Harmonic Minor: Chord Substitutions
26. Summary of Harmonic Minor: Substitutions & Practice Tips
27. Putting it Together Over a Tune
28. Major Triads Over Major Chords
29. Minor Triads Over Major Chords
30. Augmented & Diminished Triads over Major Chords
31. Major Triads Over Major Chords
32. Minor Triads Over Minor Chords
33. Augmented Triads Over Minor Chords
34. Diminished Triads Over Minor Chords
35. Major Triads Over Dominant Chords I
36. Major Triads Over Dominant Chords II
37. Minor Triads Over Dominant Chords
38. Augmented & Diminished Triads over Dominant Chords
39. Extended Chord Sounds
40. Open String Voicings Chord: Inner Voice Movement
41. Playing Examples: Ballad & Bossa
Modern Jazz Improvisation is not for the faint of heart. Many of the jazz guitar lessons in this course present applications that will take several years to completely absorb and master. However, each interactive video guitar lesson in the course will also yield immediate results as you start to integrate the concepts into your own playing. Dig in!



